Ashima Yadava's project Front yard captures a moment when we were all looking for connection. In 2020, the pandemic gave Yadava time to reflect, so she turned to photography. She turned to her community, reached out to her entire network, and wanted to take portraits of them from their front yards, at a safe distance of six feet.
“On a whim, I sent an email to my entire network of neighbors and friends in the area saying, 'I want to capture this time we're in. Can I please take a portrait of you?' Yadava recalls.
“And because we had to keep our distance, I thought, 'I'll do it across the street from your house, so can it be in your front yard?' And the first wave of responses was brilliant. People were like, 'Oh, yeah! I haven't seen a person in a month!' “
Yadava's project was welcomed with enthusiasm and positivity by people who were excited to share their space with her. Families came out to set up their things. She stood across the street with her large format and digital cameras, ready to take their portraits.
As the project progressed, the work developed into a more personal reflection. She began to realize how this work helped her reclaim her relationship with the medium and her role as a photographer.
“I grew up in India. The one thing about documentary photography that bothered me and made me feel a little weird about documentary photography [are] that power dynamic that comes with photographing someone – it's your perspective: it's one perspective. It is one story,” Yadava said.
“Having a camera that was so slow gave me time to explore my relationship with what I was doing and the people I was photographing.”
“I got the negative back and started printing, just to see and study if I was doing it right and getting the colors right. Somewhere at that point I thought, 'Wait. What if I give this back to the people?' and continue this conversation about how they want to be perceived? I she saw, this is what it is, but how do you do that? she want to be seen and do something she should I say?' “
Thus began this collaboration to make those she photographed part of the process. These black and white prints were suddenly brought to life by colors and drawings that these families worked on together.
“They would work on it as families — they would argue about it, they would talk about it, they would text me back and forth, 'Do you think we can do this?' It was really a collaboration. It was something that saved us all at the time, because I would enjoy that. I would say, 'Yes, do what you want!' “
Each family contributed a unique perspective to their portraits and what emerged was a beautiful vignette of the different ethnicities that make up the Bay Area.
Yadava called it “reversing the process,” where she as the photographer documented her observation and sent black-and-white prints back to the families so they could share their feelings through the way they decided to fill in the image. Each family had a different perspective: some filled their pictures with flowers on branches, and others covered their walls with spiders. The results that emerged were always a joy for Yadava to discover.
Our homes have been a sacred place during the pandemic, and these families welcomed Yadava to get a glimpse into their reality. It emerged at a time of tragedy and disconnection, but lives on as a record of the times.
Since then, Yadava has continued the series and plans to release a book. Her decision to expand the project in a post-COVID world was fueled by the joyful exchange with families and how it can break down barriers between neighbors. With this collaboration, Yadava hopes that people will be reminded of the resilience of humanity and that we can find connections between us all if we open our world to it.
Ashima Yadava is a conceptual documentary photographer and graphic artist. She lives in San Francisco, where she works with digital and analog methods. See more of Ashima's work on her website, AshimaYadava.com.
Photo editing by Grace Widyatmadja. Edited by Zach Thompson.